The house is organised as a vertical sequence of living, working, and reflective spaces, unified by a strong sectional logic. At the base, the ground floor carport opens up to a naturally ventilated multipurpose space and a pool, encouraging quiet contemplation and direct connection to the landscape. Above, the first floor features a dramatic double-volume living area designed around a grand piano, evoking the openness of a performance hall while remaining domestic in scale. Overlooking this space is a suspended mezzanine level that houses the office and private library, creating a bridge-like relationship between work and rest.

The third floor accommodates the private bedrooms, offering quiet, enclosed sanctuaries buffered from the activity below. Topping the structure is an attic floor with guest rooms tucked beneath the pitched roofline. Anchoring all levels is a large, central green courtyard that acts as the lungs of the house—both spatially and environmentally—while the lift and staircase wrap around it in a spiral, interspersed with green pockets that make vertical movement an experience of unfolding nature.

Directly across from the house stands a richly ornamental, traditionally Oriental residence. In contrast, G residence’s austere massing and restrained material palette heighten the visual tension between the two. This juxtaposition highlights the cultural diversity and pluralism of Singapore’s architectural landscape. Rather than compete, the two houses drawing attention to the uniqueness of their respective spatial expressions.